Post by mostakimvip10 on Nov 9, 2022 10:10:11 GMT
The most internal is the one who attempts their honest communication with the world and their fellow human beings and the second the most external is the one who through a mask ensures a percentage of communication with the outside world and their fellow men. It is the analogy between the naked and the clothed body. This dualism does not constitute hypocrisy but is part of the right of defense that every human wants to exercise in order to protect the hermetic space of his personality. The safety of the clothes protects his naked body from prying eyes. But the clothes never cease to be a part of his true personality. Our showcase is also our creation.
The mask is not built as a wall to exclude third parties and the e-commerce photo editing outside world but as a grid consisting of examples of commonly accepted behavior of conventions and rules which integrate the individual into society. This mask does not reveal a false self but lets out accepted part of our always true self. Over time of course the phenomenon happens that a person uses his mask so effectively and gets comfortable behind it that he forgets that there is also a more private part thus adopting the showcase as content. But in all the essential and deeply personal acts and relationships of our lives in areas such as love friendship family ideological recruitment and of course artistic creation the mask ensures first and foremost an always acceptable result but ultimately it acts as a barrier and does not allow us to utilize the full range and above all the uniqueness of our personality.
After all this uniqueness is what is wanted in all cases where we act as noninterchangeable individuals. The effort of the artistcreator is to maintain the hope of communication with the outside world and other people by increasingly using his personal world without the protective mask. The path is difficult and twoway. That is there is a parallel search on the one hand for our faceless self which is neither easy nor obvious given that our face is also ourselves and on the other hand for the method through which this real image of ourselves will use elements of the face and the outside world to get a readable form that will be able to interact with the world and third parties. These processes seem to have psychoanalytic echoes although their relation to psychoanalysis can only be indirect and incidental.
The mask is not built as a wall to exclude third parties and the e-commerce photo editing outside world but as a grid consisting of examples of commonly accepted behavior of conventions and rules which integrate the individual into society. This mask does not reveal a false self but lets out accepted part of our always true self. Over time of course the phenomenon happens that a person uses his mask so effectively and gets comfortable behind it that he forgets that there is also a more private part thus adopting the showcase as content. But in all the essential and deeply personal acts and relationships of our lives in areas such as love friendship family ideological recruitment and of course artistic creation the mask ensures first and foremost an always acceptable result but ultimately it acts as a barrier and does not allow us to utilize the full range and above all the uniqueness of our personality.
After all this uniqueness is what is wanted in all cases where we act as noninterchangeable individuals. The effort of the artistcreator is to maintain the hope of communication with the outside world and other people by increasingly using his personal world without the protective mask. The path is difficult and twoway. That is there is a parallel search on the one hand for our faceless self which is neither easy nor obvious given that our face is also ourselves and on the other hand for the method through which this real image of ourselves will use elements of the face and the outside world to get a readable form that will be able to interact with the world and third parties. These processes seem to have psychoanalytic echoes although their relation to psychoanalysis can only be indirect and incidental.